Denny Rangel (Yaracuy, Venezuela, 1995) takes as the starting point for this exhibition the great pre-Hispanic civilizations in which he captures the diversity of contrasts based on their complex worldview. The relationship between the sacred, the magical-religious and the political are constituted as an inherent link in the evolution of Rangel's work. His pictorial universe strives to bring us back that wide world that allows us to imagine the vision of the men of that time. Through the symbiosis and in the extrapolated forms of his painting, the iconography can be formally recapitulated, imagining a journey of color and form. Rangel wishes to map pre-Hispanic times by proposing a return in time in which the oldest and most original civilizations are brought to modernity by his painting. His series of anthropomorphic paintings reflect the intrinsic idea of sacred and power discourses, in which he fuses a new concept to outline the great ideas of life and death. The exhibition Between Mexico and Peru is the experience of knowing oneself immersed in the same concepts of nature and religiosity that the pre-Hispanic cultures of Latin America had and that Rangel pursues by bringing them back not only from that specific past, but from his imaginary to lands of Mesoamerica.